“He landed on a car.”
“That’s worse. The car doesn’t give.”
“He’s fine. Look at him.”
“He’s not fine. He’s an actor. The real guy would be dead.”
I don’t argue. She’s probably right.
She goes back to the movie. I go back to the ceiling. Somewhere far below us, through the floor, somebody laughs, and a door closes.
“You went around the back of your own house,” she says after a while.
She isn’t looking at me when she says it. She’s looking at the screen.
“Yeah.”
“Is your dad always like that?”
I think about the table downstairs. The napkin in his hand. Sit down.
“Pretty much,” I say.
She nods like she’s putting it somewhere. She doesn’t ask anything else for a while.
Then, she asks, “Why were you at the business building the other day?”
I turn my head. “You saw that?”
She gives me a look. “Your dot was in there for an hour on Monday. And you had an accounting book in the hallway. A big red one.”
Of course she saw.
“I changed my major,” I say.
“To business?”
“To business.”
“Why?”
I think about a hotel lobby in Massachusetts with bad coffee. A table in a lounge at ten at night with her spreadsheet on it.
“Turns out I don’t hate business,” I say. “I hate my father telling me I’m going to do it.”
She gets it. I watch it go across her face, quick.
“Those aren’t the same thing,” she says.
“Took me eighteen years.”
“Nineteen.”
I look at her.
“You turned nineteen last week,” she says.
Something happens at the corner of my mouth. I don’t stop it.