He turns and locks the deadbolt without asking, checks the secondary lock, scans the room with the fast sweep he used the night he installed the hardware.
"Coffee?" I ask, because if I don't steer this toward something practical the distance between us is going to become a problem.
"If you're making it."
"I already made it." I reach for a second mug from the cabinet. "Don't get used to it." Behind me, he moves to the window and tests the latch, pushing it with two fingers the way he checked every entry point that first night. The latch holds. He checks the fire escape lock next, his back to me while I pour his coffee.
He leans against the counter, arms crossed and watches me move through my own kitchen. The gaze is specific. It tracks the line of my shoulders in the sweater, drops to the hardwood, comes back to my face. He has never looked at me this way before: like the absence of armor is the most dangerous thing I’ve ever shown him.
"You organize your mugs by color," he says.
"I organize everything by color. It's efficient."
"It's revealing." His voice drops a register. "You see everything, Keating. Patterns other people walk past. Details that don't add up. The seams." He uncrosses his arms. "That's why you're dangerous."
"And here I thought it was the restructuring analyses."
"Those too." The corner of his mouth lifts, but the amusement lives behind his eyes, not on his face. "But the analyses are the job. The way you see is the woman."
I hold out the mug. He takes it, and his fingers close over mine on the ceramic. The contact is deliberate this time, no ambiguity, held a full beat past the transfer. The heat of his skin against my knuckles sends a current through my wrist and into the muscles along my forearm. I pull back first. He lets me.
"The Marcelline file was modified overnight," I say, because the professional reason for this conversation is real and the alternative is standing in this kitchen letting the silence do what the silence wants to do. "A routing notation I flagged last week is gone. The revision history attributes it to a system migration, but the changes are too targeted to be automated."
"What did the routing connect to?"
"The same pattern I found in the Veridian trust. Marcelline was a mid-tier engagement, standard advisory, nothing that should touch whatever sits underneath Arthur's primary operation. Except the routing notation told me it did, and now the notation is gone."
His eyes stay on mine over the rim of his mug. The kitchen is small enough that the counter between us feels like a formality.
"Arthur gave me expanded archive access this morning," I add. "Full historical, going back decades. He framed it as recognition."
"It's a net," Kincaid says. "Wider access means wider logging. Every file you touch from that workstation is being recorded at a resolution you didn't have before."
"I know."
The stare stays locked. "Good."
"Your fridge is empty," he says after looking in there.
"My fridge is adequate."
"Your fridge contains half a lemon and a container of takeout that predates our acquaintance. That's an exhibit, Keating."
"I'm running on competence and selective prioritization."
"You're running on fumes." His attention settles on my mouth for a beat before he finishes the sentence. "You answer the door after nine with no shoes on and hand a stranger coffee."
"You're not a stranger."
"No," he says. "I'm not."
"The takeout is from Thursday," I say, because the alternative is acknowledging what just landed. "That is well within acceptable parameters."
"Which Thursday?"
"A recent Thursday."
He laughs, and the sound is low and rough, scraped out of him like it came loose without clearance. It cracks something open in the controlled perimeter he maintains around every interaction we have ever had.