The wet goes, the chest settles.
I pick the phone up. Open the text. Type: told mum
Three dots, ten seconds.
and?
she said bring them to dinner
them?
them
The dots again. Longer this time. Twenty seconds, thirty.
she asked what you do. I said horror. she said like my films
did she sound horrified
she sounded like she was already planning to fatten you up
I love her already
Like my films. She’s anchoring it, making it ordinary. My mum, who sits with cups of tea and counts the stairs and worries about me eating enough, already building the frame where Celyn fits. Already has the space ready.
Then, after a pause:
Ron
yeah
you did it on a Thursday
yeah
not a Sunday
no
because Sundays are too easy to hide in
I stare at the screen. Celyn knows. Knows because I told them once, half-asleep, face in the pillow. Said: I can’t do it on a Sunday. Sundays are too easy. And Celyn kept it.
you remembered that
I remember everything you tell me at 2 a.m. It’s when you say the real things.
Then, after a pause, a heart emoji.
One heart. Red. From someone who writes for a living and chose one red heart.
And the thing that catches in my ribs is home. The door’s open, the kitchen’s warm. There’s a place at the table being set right now, in my head, in my mother’s head, the place where Celyn belongs.
I hold the phone for a moment. Then the bed, the ceiling. The stain from the leak the landlord hasn’t fixed. The stars in the packet on the windowsill. Sealed, waiting.
Tomorrow. I’ll put them up tomorrow. Celyn’s going to say they’re in the wrong place and I’m going to say I don’t know where Orion goes and Celyn’s going to do the face.
Thursday night, not Sunday.