Page 92 of Thorne

Page List

Font Size:

"Get on the bed."

I move to the cot. I don't wait for him to tell me what comes next. I've learned this sequence. My hands go to the hem of my shirt.

"Leave it." His voice is rough. "I'll take what I want myself."

The last thing I see before he reaches me is the look on his face: hatred and hunger in equal measure, inseparable, unsustainable. And then his hands are on me.

25

The Names

JULIANNA

The bruiseson my hips are shaped like his hands.

I stand in the safe room with my shirt lifted, cataloging the damage in the absence of a mirror. The muscle memory of my fingers does the work instead: tracing the outline of each mark, mapping the pressure points where his grip held me in place.

Hips. Inner thighs. The soft tissue of my upper arms, where he pinned me against the cot. A bite mark at the junction of my neck and shoulder that will require a high collar. Another lower, just above my collarbone, where his teeth broke skin. Soreness deep in my muscles from being positioned, repositioned, and taken in ways that left no part of me untouched.

He stayed until after midnight. Three times. The first against the wall, my face pressed into the cinder block while he drove into me from behind. The second on the cot, my legs over his shoulders, his hands leaving fresh bruises on my thighs as his eyes pinned my face. The third slower, exhausted, both of us wrung out.

But still he couldn't stop. Still he came back for more, as if my body was the only thing that could quiet whatever was screaming in his head.

By the time he left, I couldn't move. I lay in the dark, listened to his footsteps fade down the corridor, and understood: this is what it feels like to be consumed.

I dress carefully now. Long sleeves despite the safe house heat. A shirt that buttons to the throat. Every movement reminds me of what happened in this room. The specific ache of being taken repeatedly by a man whose anger and hunger are the same thing, indistinguishable and inexhaustible.

I let him. I want him to break me.

Punish me.

More than that. I'm starting to crave it.

The weight of him.

The way his hands grip hard enough to bruise. The specific oblivion that comes when he's inside me, when the names go quiet, and there's nothing left but skin, breath, and the debt being paid in the oldest currency.

I'm addicted to his intensity. The way he looks at me like I'm the problem and the solution. I'm addicted to the pain that makes everything else bearable.

That's the part that should frighten me, and yet it doesn't.

He collects me as he always does, with a firm grip on my arm, pulling me down the corridor to the common room.

My work is waiting where I left it.

My tablet. My notes. The architecture I've been building for days: the patient distribution map that exists nowhere else. Not on any server, not in any file. Only in my head, and now, slowly, on this screen.

Martha has coffee ready. She sets a cup near my hand without comment, the same way she has every morning. I don't know if she sees the marks I'm hiding. I don't know if she would say anything if she did.

The kitchen fills gradually. Boots on concrete. The clatter of equipment being checked. Voices in the hall, low and operational.

The men give me space. They have since the beginning. A perimeter of professional distance that saysassetandnecessary evilwithout requiring words. Ghost nods once when he passes through. Fuse doesn't acknowledge me at all. Torque looks at me the way you look at a weapon you're not sure is loaded.

I prefer it this way. Their distance is easier to handle than whatever the women offered yesterday.

I work through the morning alone.

The clinics surface one by one as I trace the money backward through the architecture I built. St. Catherine's Memorial in Chicago. One of the seven pediatric locations, the second-largest in the network. The money moved through three shell subsidiaries before it reached the hospital's research department. Primary funding routed through MedVance Holdings, a subsidiary of Stratton Financial. Secondary disbursement through a charitable foundation that I also controlled.