He moved.
I felt it before I saw it. The air shifted, the way it shifts when a large body redirects itself in a space too small for it. I turned.
The fighting pit wasn’t empty. A bare-knuckle bout was happening – had been happening this entire time – in the far corner of the basement, separated by a low partition of stacked pallets. I had walked past it without looking. Two men in the sand ring, stripped to the waist, circling each other with the seriousness of men for whom this was the most important business of the day. And standing at the edge of the ring, half-lost in the shadow of a concrete pillar, the man from the docks.
The massive man.
He’d been watching the fight. His arms had been folded across that enormous chest. His face had been turned towards the ring, reading the fighters – reading the geometry of violence the way I understood the geometry of a stage.
He wasn’t watching the fight now.
He had turned fully around. He was looking at me.
I’d seen concentration before. I’d stood in audition rooms with directors who studied dancers the way butchers study hanging meat – sizing, calculating, deciding where the cuts would fall. This wasn’t that. This man looked at me the way you look at a door you haven’t decided whether to open. Something else entirely, and I could not name it.
He was even bigger up close. Even from across the basement, the scale of him was difficult to process – theshoulders, the forearms, the hands that hung at his sides like tools built for a purpose nobody wanted to examine. His jaw was heavy. His nose had been broken at least once. The faded rugby shirt stretched across his chest as though the fabric was negotiating a peace settlement with his body.
He said nothing. He didn’t need to. The two enforcers beside Duncan had both turned to face him with the automatic reflex of men who have learned that when this person moves, you pay attention.
“Let them upstairs.” His voice was low and sat in his chest like gravel settling. He directed it at Fergus. Not at me. His eyes stayed on mine. “Lachlan’ll want to see this.”
Fergus’s mouth opened and then closed again. The older enforcer nodded once, as though the sentence had been an order, which – I understood a beat later – it had.
I looked at the man by the fighting pit. He looked back. Something in the set of his jaw shifted – a recalibration, as though he’d confirmed something to himself and was filing it somewhere I couldn’t follow.
Then his gaze released me. He turned back to the fight. The round resumed.
“This way.” Fergus’s voice had lost its edge. He jerked his head towards a door I hadn’t seen before – set flat into the basement wall behind the pallet partition, painted the same grey as the concrete, invisible unless you knew. He pushed it open.
A corridor. Long, narrow, lit with the warm amber of proper bulbs rather than the strip lighting of the basement. The walls were plastered and painted. The floor was clean concrete, then carpet, then polished wood as the corridor stretched deeper into wherever itwas going. And the smell changed – not gradually but all at once, as though someone had drawn a line on the floor and declared everything on this side a different country.
Expensive coffee. Something woodsmoke-edged and heavy that I’d later come to know was Lachlan’s single-origin espresso, roasted on-site in a machine that cost more than my father’s annual rent. And under it, something else – the dry, clean scent of paper and leather and money that hasn’t been touched by anyone who earned it with their hands.
I walked into it. Duncan limped behind me, one arm around the older enforcer’s shoulder, his breathing ragged and shallow through his broken face.
Behind us, the basement door clicked shut.
The corridor stretched ahead. The carpet was thick. Our footsteps disappeared into it.
I had no idea where we were going. But the man who’d sent us here – the mountain at the edge of the fighting pit – had looked at me with something I still couldn’t place, and the fact that I kept turning it over instead of thinking about escape told me I was already in more trouble than the debt.
CHAPTER 3
The Card Table
MORVEN
The Gilded Ledger sat on the desk between us like a bible.
It was leather-bound and thick – thicker than any ledger had a right to be – with a spine that looked hand-stitched and covers that had been handled so many times the surface had the dull, buffed finish of something worn smooth by use rather than age. Gold lettering on the front. I couldn’t read it from where I sat, but the metal caught the desk lamp and held it.
The man across the desk watched me look at it. He was in no hurry. He was, I was beginning to understand, never in a hurry.
The office was on the other side of the corridor that smelled of expensive coffee and the quiet, settled authority that doesn’t need to raise its voice. It was large, quieter than any room in the building should have been – soundproofed, I thought, though the walls were panelled in dark wood and gave nothing away. A single desk, broad and clean, with a green-shaded banker’slamp. Two chairs – his and mine. The carpet was the colour of old whisky. The shelves along the far wall held books I couldn’t identify from this distance, bound in the same dark leather as the Ledger, and I had the disorienting sensation of having walked into a solicitor’s office by way of a bare-knuckle fighting pit.
Lachlan.
I hadn’t been told his full name. Fergus had led us through the corridor, up a flight of stairs I hadn’t expected, and into a hallway that could have belonged to a private members’ club – polished wood, brass fittings, a side table with a crystal decanter of water that nobody had poured. Duncan had been taken to another room. I’d heard a door close behind me and the sound of my father’s breathing getting further away, and I’d wanted to turn, wanted to go after him, wanted to put myself between his bruised face and whatever came next. But the sandy-haired enforcer had placed one hand flat against the small of my back – not pushing, just present – and steered me through a door and into this room, and the man behind the desk had said, “Sit down, Miss Gault,” and I’d sat, because his voice had done something to the muscles in my legs that had nothing to do with obedience and everything to do with register – low, unhurried, absolute. The kind of voice that didn’t ask. The kind my body answered before my mind had the chance to refuse.