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‘Greece. The islands. Maths was born there.’

‘Maths was born in Mesopotamia. Greece took credit.’

His arm around my waist. Pulling me closer. My back against his chest, the heat of him through two layers. The box in the wardrobe, the toys, the rope, the things we collected in the months when everything was a dare, are still there. We still open it, still use it. But the real intimacy isn’t in the box. It’s in this, his face pressed against my neck, his breath on my skin.

‘Are you going to be pedantic about everything for the next fifty years?’ He stops. Realises the sentence has no end. Thenextstretches out in front of us without a horizon. ‘For the foreseeable future?’

‘Probably.’

He smiles, and I drink my coffee. The mug, the blue one, the one with the chip, the one I claimed in October, and he never reassigned, sits solid. Ordinary. Still here.

‘Would you have imagined this?’ he says. ‘A year ago?’

‘A year ago I only wanted to fuck you, Dr Haldrey.’

The name, the title. The echo is different now. It’s a joke—a private one.

He laughs, and I kiss him. Slow now, no crash, no detonation. The kind of kiss that contains a year, the wall, the desk, thestorage cupboard, the office with the cold coffee, Vienna, the courtyard, the key given and returned, and given again. All of it compressed into a mouth I know like I know proofs: completely, from every angle, without needing to check my work.

‘You’re a mess, Dr Haldrey.’

‘So are you.’ His mouth against my temple. The accent unguarded, the vowels wide open, the voice that only I hear. ‘But it’s our mess now.’

Our mess. Two words that don’t need proving, the proof is us standing here, on a balcony too small for two people, in a city I didn’t ask for, with a man I didn’t plan.

I didn’t know he’d do the same to me. Didn’t know I had a composure to crack.

I wasn’t choosing. I was afraid.

The pieces, put back together, make a different shape. The shape of a boy who raises his hand now. Who unpacks, who stays.

The light over Manchester. September.

His hand in mine on a balcony.

Staying.

EPILOGUE

The lecture theatre hasn’t changed—same seats, same heating set too high, same acoustics designed for a room half this size. The deodorant situation in the front rows is already a humanitarian concern.

But I’m not in the back row.

I’m at the front. Standing by the whiteboard with a marker ready, a problem set on the desk, and a hundred freshers filling the seats with the energy of people who don’t yet know what this room will do to them.

Merton asked me. ‘I need a demonstrator for the first-year problem classes. Someone who can actually explain things without making them feel stupid.’ He dunked a biscuit. The biscuit survived, historic. ‘You’ll do.’

So here I am, not even twenty years old, in my second year. The transfer from Economics let me skip first-year maths.

Standing where a man once stood, where he uncapped a marker.

Different man, different marker, same room.

The freshers settle, notebooks. Phones. The girl in the second row has already organised her pens by colour, which is either preparation or anxiety, and at that age, the distinction doesn’texist. The bloke three rows back is asleep. Fair enough—it’s nine in the morning and September, and he’s been in Manchester for four days and probably he hasn’t unpacked, and the carpet in halls is still the colour of cigarette burns.

‘Right,’ I say. ‘I’m Ewan Carrick. Second year. I’ll be running your problem sessions this term. Professor Merton does the lectures. I do the bit where you actually have to think.’

A few smiles, a few glazed stares. The universal response to someone standing at the front of a room asking you to engage.