The industrialists of Shiz, from an early stage wary of the growing power of the Wizard, had elected not to lay down the rail line from Shiz to the Emerald City as originally planned. Therefore, it was a good three days’ journey from Shiz to the Emerald City—and this was in the best of weather, for the wealthy who could pay for a constant change of horses. For Glinda and Elphaba it took more than a week. A bleak, cold-scoured week, as the winds of autumn ripped the leaves off trees with a dry screech and a rattle of brittle, protesting limbs.
They rested, like other third-class travelers, in the back rooms above inn kitchens. In a single lumpy bed, they huddled together for warmth and encouragement and, Glinda told herself, protection. The ostlers cooed and shrieked in the stableyard below, the kitchen maids came and went noisily, at odd hours. Glinda would start as if from a frightful dream, and nestle in nearer to Elphaba, who seemed at night never to sleep. Daytimes, the long hours spent in poorly sprung carriages, Elphaba would nod off against Glinda’s shoulder. The land outside grew less succulent and varied. Trees were crabbed, as if conserving their strength.
And then the sandy scrubland was domesticated by farm life. Overgrazed fields were dotted with cows, their withers shriveled and papery, their lowing desperate. An emptiness settled in the farmyards. Once Glinda saw a farm woman standing on her doorstep, hands sunk deep in apron pockets, face lined with grief and rage at the useless sky. The woman watched the carriage pass, and her face showed a yearning to be on it, to be dead, to be anywhere else other than on this carcass of a property.
The farms gave way to deserted mills and abandoned granges. Then, abrupt and decisive, the Emerald City rose before them. A city of insistence, of blanket declaration. It made no sense, clotting up the horizon, sprouting like a mirage on the characterless plains of central Oz. Glinda hated it from the moment she saw it. Brash upstart of a city. She supposed it was her Gillikinese superiority asserting itself. She was glad of it.
The carriage passed through one of the northern gates, and the scramble of life aroused itself again, but in an urban key, less restrained and self-forgiving than that of Shiz. The Emerald City was not amused by itself, nor did it consider amusement a proper attitude for a city. Its high self-regard sprang up in public spaces, ceremonial squares, parks and facades and reflecting pools. “How juvenile, how devoid of irony,” murmured Glinda. “The pomp, the pretension!”
But Elphaba, who had passed through the Emerald City only once before, on her way up to Shiz, had no interest in architecture. She had her eyes glued on the people. “No Animals,” she said, “not so you can see, anyway. Maybe they have all gone underground.”
“Underground?” said Glinda, thinking of legendary menaces like the Nome King and his subterranean colony, or dwarves in their mines in Glikkus, or the Time Dragon of the old myths, dreaming the world of Oz from his airless tomb.
“In hiding,” said Elphaba. “Look, the poor—I mean are they the poor? The hungry of Oz? From the failed farms? Or is it just the—the surplus? The expendable human selvage? Look at them, Glinda, this is a real question. The Quadlings, having nothing, looked—more—than these—”
Off the boulevard on which they rode branched alleys, where shelves of tin and cardboard served as roofs for the flood of indigents. Many of them were children, though some were the diminutive Munchkinlanders, and some were dwarves, and some were Gillikinese bowed with hunger and strain. The carriage moved slowly, and faces stood out. A Glikkun youth with no teeth and no feet or calves, on his stumpy knees in a box, begging. A Quadling—“Look, a Quadling!” said Elphaba, grabbing Glinda’s wrist. Glinda caught a glimpse of a ruddy brown woman in a shawl, lifting a small apple to the child in a sling around her neck. Three Gillikinese girls dressed like women for hire. More children in a pack, running and squealing like piglets, pressing up against a merchant, to pick his pockets. Rag merchants with pushcarts. Kiosk keepers whose goods lay locked beneath safety grilles. And a sort of civil army, if you could call it that, strolling in foursomes on every second or third street, brandishing clubs, angular with swords.
They paid the carriage master and walked with their parcels of clothes toward the Palace. It rose, in stepped-back fashion, a growth of domes and minarets, high flared buttresses in green marble, blue agate screens in the recessed windows. Central and most prominent, the broad, gentle-browed canopies of the pagoda lifted over the Throne Room, covered with hammered scales of virgin gold, brilliant in the late afternoon gloom.
Five days later they had made it past the gatekeeper, the receptionists, and the social secretary. They had sat for hours awaiting a three-minute interview with the Commander-General of Audiences. Elphaba, a hard, twisted look on her face, had managed to eject the words “Madame Morrible” from between her clamping lips. “Tomorrow at eleven,
” said the Commander-General. “You will have four minutes between the Ambassador to Ix and the Matron of the Ladies’ Home Guard Social Nourishment Brigade. Dress code is formal.” He handed them a card of regulations that, being unequipped with courtly dress, they were obliged to ignore.
At three the following afternoon (everything running late), the Ambassador to Ix left the Throne Room looking agitated and splenetic. Glinda fluffed the bedraggled feathers in her traveling hat for the eightieth time, and sighed, “Now you’re the one who says what should be said.” Elphaba nodded. To Glinda she looked tired, terrified, but strong, as if her form were knit with iron and whiskey instead of bones and blood. The Commander-General of Audiences appeared in the doorway of the waiting salon.
“You have four minutes,” he said. “Do not approach until you are bade to do so. Do not speak until you are addressed. Do not venture a remark unless it is to answer a comment or question. You may refer to the Wizard as ‘Your Highness.’”
“That sounds pretty regal to me. I thought that royalty had been—” But here Glinda elbowed Elphaba to make her shut up. Really, Elphaba had no common sense sometimes. They hadn’t come so far just to be turned away because of adolescent radicalism.
The Commander-General took no notice. As they approached a set of tall double doors, carved with sigils and other occult hieroglyphs, the Commander-General mentioned, “The Wizard is not in a good humor today due to the reports of a riot in the Ugabu district in the north of Winkie Country. I should be prepared for what I find, were I you.” Two stoical doormen opened the doors then, and they passed through.
But the throne did not lie before them. Instead, the antechamber led left, and through an archway there was another, but on a shifting axis to the right, and another beyond that, and another. It was like looking through a reflection of a corridor in mirrors set opposite each other; it veered inward. Or, thought Glinda, like processing through the narrowing, deviating chambers of a nautilus. They made a circuit through eight or ten salons, each slightly smaller than the other, each steeped in a curdled light that fell from leaded panes above. At last the antechambers concluded at an archway into a cavernous circular hall, higher than it was wide, and dark as a chapel. Antique wrought-iron stands held ziggurats of molded beeswax burning with a multitude of wicks, and the air was close and slightly floury. The Wizard was absent, though they saw the throne on a circular dais, inset emeralds gleaming dully in the candlelight.
“He stepped out to use the toilet,” said Elphaba. “Well, we’ll wait.”
They stood at the archway, not daring to venture farther without invitation.
“If we only have four minutes, I hope this doesn’t count,” said Glinda. “I mean, it took us two minutes just to get from there to here.”
“At this point—” said Elphaba, and then, “Shhhhh.”
Glinda shhhhhhed. She didn’t think she heard anything, then she wasn’t sure. There was no change that she could identify in the gloom, but Elphaba looked like a pointer on alert. Her chin was out, her nose high and nostrils flared, her dark eyes squinting and widening.
“What,” said Glinda, “what?”
“The sound of—”
Glinda heard no sounds, unless it was the hot air lifting from the flames into the chilly shadows between dark rafters. Or was it the rustle of silk robes? Was the Wizard approaching? She looked this way and that. No—there was a rustle, a sort of hiss, as of bacon rashers in a skillet. The candle flames suddenly all genuflected, obeisant to a sour wind that beat from the area of the throne.
Then the dais was pelted with thick drops of rain, and a shudder of homegrown thunder blatted out, more dropped kitchen kettles than timpani. On the throne was a skeleton of dancing lights; at first Glinda thought lightning, but then she realized it was luminescent bones hitched together to suggest something vaguely human, or at least mammalian. The rib cage flexed open like two fretted hands, and a voice spoke in the storm, not from the skull but from the dark eye of the storm where the heart of the lightning creature should be, in the tabernacle of the rib cage.
“I am Oz, the Great and Terrible,” it said, and shook the room with its related weather. “Who are you?”
Glinda glanced at Elphaba. “Go on, Elphie,” she said, nudging her. But Elphaba looked terrified. Well, of course, the rain. She had that thing about rainstorms.
“Whooo arrrre youuuu?” bellowed the thing, the Wizard of Oz, whatever.
“Elphie,” hissed Glinda. Then, “Oh, you useless thing, all talk and no—I’m Glinda from Frottica, if you please, Your Highness, descended matrilineally from the Arduennas of the Upland, and this if you please is Elphaba, the Thropp Third Descending from Nest Hardings. If you please.”
